The basic of this performance is to play the sympathies of the room's  resonant structure, sculpted each time a new according to its architetural singularity.    The concerp of the show remains mutable to the last moment,   using exclusively acoustic procedures  and methods  of production which are generated by the movements of my body.

My  first   inspiration   to  produce  a  continuous  sound   with  a  percussive   instrument   evolved   through  an  investigative  process  of  the  acoustic qualities of the performance space.  I picking out various objects  and  implements over my travels tours, and in my working residency  I  have  adapted  this  piece  to  be  played on a  large  drum, which  is  used  as  a  vibrational amplifier.  I develop  an  intimate  affinity  with the  materials  in  vibration.   I  have  to evaluate  these  vibrations  in  my  body  at  different  levels,  to  be able  to  coordinate  my  postures  and movements,  and  thus  put  them  in vibration.  For give  life to  these  vibrations  I  have  used,  since 2008,  circumnambulation.
 
My sound  are often compared  to certain  sounds  produced by synthesizers. However,  my  acoustic  sounds depends of the reflective quality of surrounding surfaces, and on the volume of the performance space itself. 

Video at Loup, Mori. 19/04/2017